Thursday, 17 February 2011

BANTU feat. NNEKA "I am waiting" from Relentless soundtrack by Andy Ama...



SYNOPSIS OF RELENTLESS

A haunting story about loneliness, love and self-discovery that explores Africa's throbbing megacity Lagos, and the effects of war and loss.

Obi, an orphan brought up by the military, becomes a peace-keeping soldier in worn torn Sierra Leone. He meets Blessing a Sierra Leonean woman and falls in love for the first time. His world and life are devastated when he finds Blessing mutilated by kid soldiers and rebels. His only option is to kill her misery.

On his return to Lagos after the war, he is an emotional autiste, sleepless and lonely. By day he runs a small security company with Ola his best friend and fellow war veteran, at night he walks the lonely streets of Lagos haunted by his past.

In one of his midnight walks, Honey, a runaway university student and high-class call girl falls into his arms, thrown down from a bridge to die by one of her clients. Obi is thrust back into reality as he once again is carrying a woman in his arms, another victim of violence, another life to save or let die.

But Honey is alive and enters Obi's world, opening up his mind again to feelings and emotions, but also ultimately leading him into committing another murder.

It's election time in Nigeria and a powerful politician claiming to be a friend to Obi's late father hands Obi's firm a lucrative contract to provide security for his candidate.

Obi and Honey, both in personal exile and struggling to get a hold on their lives are thrust into action as a course of events draws them together in the relentless and brooding city that is Lagos today.

As Obi comes to terms with his life and reality, he embarks on a journey of redemption and self re-discovery. We unveil an intimate portrait of a man battling with the scars of war.

The film explores the vast canvas that is Lagos today ‚ powerful, dangerous, alive and uncompromising; fraught with deceptions and corruption yet thriving with hope, strength and resilience.

The film is not afraid to subtly question Nigeria’s peace keeping troops in Sierra Leone, the tragic history of Biafra, the silent plague of human sacrifice, mass government inefficiency and corruption. This is also a film that celebrates Nigeria and Lagos as an African city bustling with the energy, music, vibrant, full of culture and humanity.

Andy Amadi Okoroafor, the writer and director, born in Nigeria, pursued his education and a very successful creative career in Paris and is returning to Nigeria to fulfill his lifelong ambition of making great films about contemporary Africa for a world audience.

Visually edgy and expressionist, the film will explore the boundaries of digital cinema, embracing and harnessing digital technology to enhance good storytelling. It will be controlled, beautifully framed and composed, visually sumptuous and emotional touching, portraying Lagos and other African cities, as they have never been seen.

Relentless has an official powerful soundtrack featuring Nigerian and international artists - Bantu and Nneka "I Am Waiting"

Thursday, 27 January 2011

Reviving POETRY POTTER in 2011

Dear Sir/Madam,

Compliments of the season.  

Happy New Year to you, may you have reason to cherish this season.   As in the culture of our organization, this is the honest report of our activities through 2010.

Change of Name
Since inception, January 2006,we have produced Poetry Potter, the monthly literary and performing arts event under the auspices of Kowry Kreations Media without proper registration with CAC and other relevant organizations. We tried ourbest to retain the name at the point of  registration in 2010 but wecould not cope with the rigor and process.Hence, we decided to changethe name and now we are IMAGE & HERITAGE. This name in our own opinion projects the aims and objects of the organization.

2010 Review
Last year was a mixed success for us. We recorded only two (but successful)editions of Poetry Potter and one edition of P.A.G.E.S in 2010. Thiswas the least we ever recorded in a year since 2006. And the reason forthe erratic production throughout, in spite of our conscious awareness of the problem, was the old administrative structure.

Administration
We shall henceforth produce all our projects (Poetry Potter, P.A.G.E.S,Fashion Revolution and others) under the name: IMAGE & HERITAGE. We are also registered with the Federal Inland Revenue.
Registration No: YBV130012069469
Tax Identification No: 09199816-0001
We are indeed grateful to our sponsors. Thank you as you are one ofthem.We apologize for the stress we have put you through over the yearswhenever you endeavoured to send us money for our events. We are happyto announce to you that we now have a current account with theGuarantee Trust Bank PLC; you can now send money to us from all partsof the world.

We have collaborated with reputable organizations in the past; these organizations include Association of Nigerian Authors, Lagos Chapter (ANA, Lagos),Committee for Relevant Art (CORA), Center for Contemporary Art, Lagos(CAC, Lagos) Ben Tomoloju & Company, organizer of GTB PoetryFestival and others. We look forward to a fruitful and fulfilling collaboration this year.

Please feel free to contact us through imageheritage@aol.com for your query and enquiry.

OUR PROJECTS
POETRYPOTTER, a unique platform created for poets, storytellers,folksingers,folk-dancers, artists, art promoters, cultural workers andarts journalists, to display their creative ingenuity, free of charge.

P.A.G.E.S,the confluence of literature, art works, comics and photography bringstogether patriots and compatriots in dialogue with their country -Nigeria- with their art and literature. This programme is designed toalign fictional writers, poets and playwrights, arts and literarylovers at Art Exhibition Halls around the world to give literaryinterpretation to the works being exhibited and dialogue around it atall time.

FASHIONREVOLUTION - The project is targeted towards creating opportunities forless privileged and
also to showcase young talent in the Fashionsub-sector of the Creative Industry. For the maiden edition, we chosethree young talented, dynamic and unlimited creative Fashion Designers,to give life to the theme:“Fashion Revolution.” We built on thesuccess, and in April 2009 we had the second edition of the fashionwhich was tagged: “Fashion Revolution Reloaded,” in collaboration withGML Entertainment at Club O2. We are proud indeed of the outcome ofthese two events and this is the reason why we are currently working onits third edition and scouting fashion designers to do justice to thetheme: “Fashion Revolution Metamorphosis.”

Our Plans for 2011
Fundraising:

Wehave come up with another concept in which you can support ourorganisation- The goal of Image& Heritage is to generate funds inorder to be able to embark on arts projects for which public funding are not available in Nigeria.We hope to raise N1,000,000 for us to be able to run our projectswithout break throughout 2011. Therefore we are looking for Two Hundredpeople to give usN5,000 ($34) each.

Projects and Time
We hope to start Poetry Potter and P.A.G.E.S by March 2011.
We intend to have an edition of Fashion Revolution (Fashion Revolution Meta-more-forces) in June.

Online
We shall keep our blog - http//www.kowrykreationsmedia.blogspot.com until we are through with our website.

We are happy to announce to you that Poetry Potter is now online. This ispart of our 5th year anniversary. You can now read some poems presentedat our previous events on this site. Also, this site we will createequal opportunities to all by publishing your poem, short drama andshort fiction works on the site.

For the maiden edition, Amatoritsero Ede is the Guest Artiste. You cannotafford to miss his account of poetry. Sage’s Rage is on the Spokenword page, OmosunSylvester, Senator Ihenyen, Plumbline (Jaiyeola Jeffrey)and Aderemi Adegbite are poets you will enjoy reading their poems onthe Poetry page.

We are open to all forms of literature and arts. Please read our submission page. Here is the link: www.poetrypotter.webs.com

POETRY POTTER - FINANCIAL SUPPORT: 2010
Toni Kan                              10,000
Ahmed Maiwada                  25,000
Mirian Travis                          5,000
Ayodele Arigbabu                  5,000
Juwon Hasstrup                    10,000  
Total                                    55,000

Thank you for your commitment and support in 2010 and Image & Heritage hopes it can count on your support in 2011.

Yours,
Aderemi Adegbite
CEO,
Image & Heritage Lagos, Nigeria.
Tel: +234 708 428 7828
Email: imageheritage@aol.com
Blog: http//www.kowrykreationsmedia.blogspot.com
Website: www.poetrypotter.webs.com

Wednesday, 12 January 2011

Marching To Aso - Poetry | Reviews | Interviews

Marching To Aso - Poetry | Reviews | Interviews

CORA Holds Book Industry Conference on the ‘Bring Back the Book’ Initiative

All lovers of the book, human capacity and Nigerian development are hereby invited to the 1-day Book Industry conference to discuss President Jonathan’s ‘Bring Back the Book’ initiative.
Themed WHEN THE PRESIDENT WANTS TO BRING BACK THE BOOK: WHAT’S TO BE DONE NOW

DATE – Monday 17 January, 2011
VENUE – Banquet Hall, Eko Hotels, Victoria Island, Lagos
TIME – 9.00 a.m.

According to CORA, “While CORA realises the value of the media event of 20 December, 2010 in demonstrating the full faith and weight of the President in the campaign, we take the view that the real task of building the critical citizens’ framework for its sustenance has just begun. Based on our experience in organising intellectual events around book and culture in the last twenty years, the industry has faced a lot of challenges which militate against the return to the era of robust book
production, acquisition and reading culture.” The President’s campaign can be benefitted by industry insights.
The conference will draw stakeholders from the entire breadth of the industry including Writers, Publishers, Booksellers/Distributors, Printers, Policy makers, Social Entrepreneurs and CSR officers. One of the objectives is to obtain suggestions on what steps may be taken to address the challenges of the waning reading culture, such steps including –

• any cultural/economic policies
• legal/regulatory frameworks
• market/supply-side innovations; and
• civil society initiatives.
 
The outcome will be the industry contribution to the 'Bring Back the Book' initiative and will be presented to the coordinators of the campaign for that purpose.

ADMISSION IS FREE! VIEWS ARE WELCOME!! OUTCOME WILL BE INVALUABLE!!!

Contact Aderemi Adegbite on 07084287828


PRESS RELEASE/INVITATION

CORA Holds Conference On Bring Back the Book Initiative

As a follow-up to the ‘Bring Back The Book’ initiative of the administration of President Jonathan, the Committee for Relevant Art, CORA, has resolved to stage a one-day conference of stakeholders in the Book industry and the creative and educational communities to fashion out an implementable document that could guide the President and his team in the quest to encourage reading culture and as well place importance on the Book as a source of knowledge acquisition and manpower development, according to Deji Toye, CORA’s Project Director and coordinator of the Conference.

The conference holds on January 17 in Lagos and is expected to attract a fairly large congregation of stakeholders in the relevant Indus tries, including from governmental agencies, said CORA’s programme team.

The theme of the one-day conference is When the President Wants to Bring Back the Book: So What’s To Be Done Now? And it is billed for the Banquet Hall, Eko Hotels & Suites, Victoria Island, Lagos; 9am – 6pm.

The ‘Bring Back the Book’ campaign had been launched on December 20 with the President joining the Nobel laureate Prof Wole Soyinka in a reading session for over 400 students drawn from as many as 100 schools around Lagos. At the Eko Hotel, Victoria Island, Lagos. The programme also witnessed the formal presentation of the book President Goodluck Jonathan: My Friends and I, Conversations on Policy and Governance via Facebook, during which about five top Nigerian hip-hop musicians performed to a crowd of about 5000 people at the new Expo Hall of Eko Hotel.

According to CORA , the January 17 conference is a desired follow-up to ensure that the dream behind the project is kept alive even as the country gradually slips into the mood of electioneering “when we tend to forget every other critical aspects of our national life”.

The conference, states CORA, aims to “Gain the insight of stakeholders in the book industry on the current practical challenges of conceptualisation, production, distribution and consumption of books in Nigeria and its impact on the reading culture; and;

i. Obtain suggestions on what steps may be taken to address the said challenges with a view to reversing the waning reading culture, such steps including –

· any cultural/economic policies
· legal/regulatory frameworks
· market/supply-side innovations; and
· civil society initiatives.

Deliberations and suggestions at the conference will be presented to the ‘Bring Back the Book’ coordinators in the Presidency. It should also provide a reference point for a pan-industry advocacy for the revival of the reading culture and the revitalisation of the book industry“.

“Participants are to be to be drawn from the entire value chain of the book industry including the following: Publishers, booksellers and book dealers, authors, printers, libraries/librarians, book and literary event organisers/promoters (book clubs, literary festivals etc), educationists, renowned corporate promoters of book and literary initiatives, book and education-focused MDAs and Nigerian Academy of Letters”, stated CORA.

The culture advocate organisation, which prides itself as ‘Culture Landscapists’, stated: “This event will be regarded as significant in at least the following three respects:

* To our knowledge, it is the first time in the last few decades that a Nigerian President has given a public, uncontroverted support to the campaign to return the book and the cultivation of its reading to a pride of place. This is significant in Nigeria where the success of any initiative often depends on a perception of interestedness or, better still, championship at the highest levels of government.
* Equally significant is that a sitting President has now drawn a link between book reading and literacy and even onward to national economic development. Trite as that connection might appear, we are not aware that recent economic recovery programmes and various visioning projects have made book reading as central to human capacity development (which has itself been often touted as core to the achievement of economic prosperity) as we see encapsulated in the above-quoted speech of the President delivered at the campaign event.
* Even more significantly, the strategy of taking the campaign ‘to town’ by the President will be recorded as a first, in which a matter of such communal significance will be canvassed on the streets before being thrown at policy bureaucrats. Indeed, Mr. President was reported as having dubbed the campaign a “citizens’ framework to bring back the book.”

“In the last twenty years, the CORA Art & Cultural Foundation (otherwise ‘Committee for Relevant Art’ or ‘CORA’) has sustained the campaign to place the book in the front burners of national debate and literacy at the heart of national development agenda. Indeed, we have always maintained our key annual event, the Lagos Book & Art Festival as a testament to our commitment that “the only way to translate the ‘teeming population’ of Nigeria into true human capital is to develop their minds” (http://coraartfoundation.org/index.php/about-cora). Mr. President’s speech at the ‘Bring Back the Book’ campaign launch shows how much consensus has now grown around this idea.

“While CORA realises the value of the media event of 20 December, 2010 in demonstrating the full faith and weight of the President in the campaign, we take the view that the real task of building the critical citizens’ framework for its sustenance has just begun. Based on our experience in organising intellectual events around book and culture in the last twenty years, the industry has faced a lot of challenges which militate against the return to the era of robust book production, acquisition and reading culture. Some of the challenges arise from the following factors:

* Standard of education and its impact on the quality of content and creative expression emerging from the Nigerian local literary community in the last few years
* Quality of technical expertise available to the industry following the exit of the multinational publishing companies and its impact on the technical quality of outputs in the Nigerian industry in the last few years (CORA has held a series of book editor’s clinics as a modest attempt to address this challenge)
* The discouraging economics of book production and distribution in Nigeria and the gradual erosion of local book printing and production in preference for Asia
* Issues of curriculum/syllabus development and quality of reading lists in Nigerian educational institutions; and
* The environment for the support of civil society efforts at promoting book and reading culture in Nigeria.

CORA states that the conference will follow the popular parliamentary style now associated with CORA-organised deliberations, although Position Papers will be presented by key stakeholder groups drawn from the following four major sectors of the industry:

· Business: Publishers, book sellers/dealers/distributors/printers
· Creative: Authors
· Educational: Librarians, teachers, school proprietors, NUC, NAL
· Promotional:
- Government (MDAs);
- NGOs/CSOs (book clubs, literary festivals, poetry salons, book fairs etc);
- Corporate donors (companies with bias for literary CSR commitments).

There will be interventions from other industry participants and from the general house.

Yours,
Deji Toye
Conference Director (+2348023624647)

NB: PLEASE, ALSO CONSIDER THIS AS YOUR INVITATION TO THE EVENT.

Wednesday, 15 December 2010

GLOBAL PRAYERS - Redemption and Liberation in the City

metroZones, Haus der Kulturen der Welt, Berlin and Viadrina University, Frankfurt Oder (Germany)

present:

GLOBAL PRAYERS - Redemption and Liberation in the City
About new religious movements in Lagos, Beirut, Rio de Janeiro, Mumbai, Berlin

Presentation and discussion at JAZZ HOLE, Lagos 17th of December, 2-6 pm

The renaissance of religious movements and communities in the world’s metropolises as it manifests itself in the expansion of Pentecostal churches, Islamisation, or Hindu nationalism – all of which play an important role in the organization of urban citizens these days – can possibly be described as a kind of urban cultural revolution.

The interdisciplinary and international ‘Global Prayers’ project aims to research and discuss new urban religious communities by different artistic and scientific means and methods. The case studies and research projects by about 20 scholars and artists link the global aspects of the religious everyday, which has become a central feature of urban life across different religions, city types and parts of the world, with the local features and practices of specific religious communities as they have been shaped by history and urban context.

How does the urban everyday life change through new religious movements? A discussion and a critical reflection on the project with local researchers and artists and activists is an essential part of the ‘Global Prayers’ project. In Lagos, a key city in the global boom of new urban religions, we would like to discuss the main questions of Global Prayers with local experts, present some first research products, video cutouts and sound pieces from Beirut, Mumbai, Kinshasa and of Lagos itself. There will be a presentation of the works of the video workshop, organized by Jens Wenkel and Victor Okhai, as well as of the first tracks by the Hip Hop Workshop, initiated by Ade Bantu.

The public presentation and discussion will take place at JAZZ HOLE, 168 Awolowo Road Ikoyi, LAGOS 17th of December, 2-6 pm. Everybody who is interested is cordially invited to attend! The event is supported by Goethe Institut Lagos and Heinrich-Böll-Foundation Lagos.

Further information:
johannes.ismaiel-wendt@hkw.de
www.GlobalPrayers.info

Wednesday, 1 December 2010

Bantu ft Azadus - Marching To Aso

Artist: Bantu feat. Azadus 


Title: “Marching To Aso” 
Label: Faluma Records / Pako Records
Producer & Director: Siji

Bantu bursts right back unto the Nigerian music scene with his controversial new video ‘Marching To Aso’.
Taken from his new album, No Man Stands Alone, the video follows Bantu as he makes a rallying call to the masses  to march and confront the powers that be in the nation's seat of power, Aso Rock.
The bold and visually arresting video, was shot in Ajegunle, a local district area of Lagos and home to over 4 million disenfranchised Nigerians from various parts of the oil-producing volatile nation.
The clip was produced & directed by Yoruba soul star: Siji.
Check out Marching To Aso:
twitter:bantucrew




Order “No Man Stands Alone” online: www.faluma.com

Monday, 22 November 2010

Killing ME The More

As you may be aware, the 12th Lagos Book and Arts Festival (organised by the Committee For Relevant Art - CORA) was held in National Theater, Iganmu, Lagos, Nigeria from Friday 12th - Sunday 14 December, 2010.  On Sunday 14, Jelili Atiku protested against the current National Gallery of Art Bill (NGA Bill) through a performance he titled, NGA Bill…Kill Me the More. The Bill has becomes a symbol of social and political realism in Nigeria.

When the bill was brought to the Senate by Hon. Tunde Akogun, it reminds me of Guerrilla Action Group’s manifesto of January 10, 1970. The manifest said that Art is guilty of the worst sort of crime against human beings: silence. Art is satisfied with being an aesthetic/machinery, satisfied with being a continuum of itself and
its so-called history, while in fact, it has become the supreme instrument through which our repressive society idealizes its image. Art is used today to distract people from the urgency of their crises. Art is used today to force people to accept more easily the repression of big business. Museums and cultural institutions are the sacred temples where the artists who collaborate in such manipulations and cultivate such idealization are sanctified.

Jelili's concern in the performance was to express his personal and collective concerns over some bills in Nigerian Senate. Therefore, he wish to educate, appeal, urge and protest for change in the Nigerian socio-political lives.

Here is the letter he addressed to members of the Senate. The letter was published in the performance information brochure.


14th November, 2010

From the Office of the Citizen

Open Letter to Members of National Assembly, Federal Republic of Nigeria

To:
All Members,
Senate and House of Representatives,

Through:
Senator David Mark (GCON),
The Senate President; and

Dimeji Bankole (MON),
The Speaker

Dear Fellow Nigerians,

NGA Bill…Kill Me the More

It is saddened that as I write this letter you may not able to see and feel the problems I am going through.  There abound several visible and invisible barriers that have collectively pressurize my life as a Nigerian contemporary artists. Since 1998 when I completed National Youth Service; each day I grow grey hair as a sign of emotional infiltration that I have gone through in an attempt to survive as a Nigerian and as an artist.

I have felt the pains and effects of inequality and poverty since I was born. I see in every day that passed how Jose Ortega y Gasset’s views made in 1958 has been holding sway in our socio-political lives. As you may have read, Jose wrote in an article, titled “The New Mass”(published in Joseph Satin (1958), “Ideas in Context”, The Riverside Press, Cambridge, page 16) that “Today something very different is happening. If we observe the public life of the countries where the triumph of the masses has made most advance… we are surprised to find that politically they are living from day to day. The phenomenon is an extraordinarily strange one. Public authority is in the hand of a representative of the masses. These are so powerful that they have wiped out all opposition. They are in possession of power in such an unassailable manner that it would be difficult to find in history examples of a government so all-powerful as these are. And yet public authority – the Government- exists from hands to mouth, it does not offer itself as a frank solution for the future, it represents no clear announcement of the future, it does not stand out as the beginning of something whose development or evolution is conceivable. In short, it lives without any vital programme, any plan of existence. It does not know where it is going, because, strictly speaking, it has no fixed road, no predetermined trajectory before it. When such a public authority attempts to justify itself it makes no reference at all to the future”.

The manifestation of Jose’s view came once again in form of NGA proposed bill. As you aware, this bill, which is sponsored by Hon.Tunde Akogun is “an act to repeal and re-enact National Gallery of Art Act, Cap. N41 Laws of the Federation of Nigeria and other related matters”. On Thursday, November 5, 2010 a hearing was held inside 028Conference Hall, House of Representatives (New Building), Abuja in regards to the bill. The Stakeholders have talked and reached harmonious resolution on the bill. My present financial ailment could not permit me to attend such a gathering. However, it will not be OUT of ORDER to read in part this bill. It reads: “BE IT ENACTED by the National Assembly of the Federal Republic of Nigeria as follows… Every contemporary visual work of art originating in Nigeria or not originating in Nigeria but is being sold or auctioned or exhibited for sale in Nigeria, shall be registered, stamped and issued a number by
the Gallery…”

The philosophy, idea, objectives, and contents of this bill reminds me of the Guerrilla Art Action Group’s (of New York City) manifesto of January 10, 1970.  It says, “Art is being slaughtered… Art today glories in its own self-importance and its false set of value. It glorifies property instead of relating to people. It has become
property. Art has become business, a stock market, a repressive and racist megacorporation that enriches its directors and stockholders and exploits its workers to a point of complicity in the crimes committed against human life… What do you think art is all about? Is it some sort of mythical abstract commodity that is traded on the market and guarded by the police? How can it be that art needs police protection? Only “valuable” possessions, property and money are given police protection – is that what art must be? Is property more valuables than life and freedom? Shouldn’t art relate to life and freedom rather than property?...”

This bill and those that conceived it see art as commercial entity. Its values of life and freedom are not appreciated by them. They do not bother about the growth of contemporary art and the wellbeing of the artists instead; they wish to regulate how we create our works.

Forty-three years ago, March 25, 1967 precisely, the then Nigerian Military President in person of (then) Lieutenant Connell Yakubu Gowon threw up an advice for Nigerian leaders. He said in a radio broadcast that “Our duty as leaders is not just to pursue ideologies of forms of government for their own sake…  concern is the happiness of the ordinary citizens. We must therefore look at matters concerning how we should run the government in the light of how they affect people’s lives. We must always assess how the  political decisions that we reach will influence the way our people live… Nigeria has been going through hard times… Governments have fallen and often people have not known where to look for guidance and honest  leadership. In the absence of true leadership mistrust and suspicion have come to the surface and as a result people have been killed; women have been left without husbands and children without fathers”.

I wish to appeal to your honourable selves to look at this bill as a political means of executing artists. I want to beg, the bill should be looked into critically and amend to make us happy. However, I wish to say also instead of bothering yourself over this bill, I am of the opinion that the Freedom of Information Bill (FoI) is more  important to us a State of different nations. This is because going by the level of corruption in the country the FoI bill is necessary and indispensable.


As opinionated by Chidi Anselm Odinaka (in The Guardian, Tuesday, November 4, 2008, page 102) “The existing system of secret government in Nigeria undermines the promise of equality and non-discrimination in our constitution and substitutes in its place a hierarchy of citizenship distinguished by monopolies of  knowledge and access to officially-held information. An infinitesimal minority of well placed people with access to information constitute the superior class of citizens; while the overwhelming majority of us are inferior, second and lower class citizens consigned to an information under-class. Through the existing system, we have an artificial manufactured information aristocracy who use their monopoly of access to official information to control the commanding heights of our economies and politics, protected by their control of the security apparatus in a perpetual game of the revolving intra-family musical chairs while the rest of us in the information wilderness watch in rumour mills of trepidation. The default doctrinal justification for the secret state is state security. This is used in a way that subverts our constitution and our politics and destroys our development. It is both immoral and unlawful. Changed here is in the self interest of both ruler and the ruled”.

Let me also borrow words from Charles Ikedikwe Soeze (who wrote in Nigerian Compass, Friday June 6, 2008; page 4) FoI “is prerequisite for good and just governance and for effective social development”. If it is signed into law Nigeria will become an egalitarian society-where extreme poverty, child mortality, under-development, segregation, political apathy, electoral fraud, and all those ills that dwarf our economy will be eliminated.


If the NGA Bill is signed into law, you shall be killing me the more.

Yours living art,

Jelili Atiku,
29, Ifoshi Road, Ejigbo, Lagos Nigeria
+234 802 315 5408, +234 805 935 8116